Archive for March, 2010

Discipline

Today marks the 89th day of my self-imposed 90 day discipline.

Before 2010 came my homies and I made goals for health.  Not so much resolutions, but goals we were aiming for.  Mine was to go 90days with no alcohol or smoking, go from 155 to145lbs, have a 6-pack, and be able to do 10pull ups.

At this point I can do about 6 pulls ups, the six pack is pretty much there, and I’m actually at about the same weight (gotta do less weightlifting).

I didn’t quite make what I wanted, but I’m happy because I got through the hardest part for me: no alcohol.

People asked, did I learn anything from not drinking?  I would say (partially joking), “I learned I can save a lot of money, and I learned that I really like to drink.”

But I also learned another serious lesson.  The importance of discipline.

A few years ago I did something similar to this.  I stopped drinking for a month or two to get in better shape for the capoeira class I was taking.  By the end of it I felt my energy increase tremendously.  I didn’t drink alcohol often at that point, just socially on weekends, but I cut all that out.  Later on I found myself drinking whenever alcohol was around.  If I went to a friend’s and some drank was there, I’d have some.  If I was stressed I’d say “I need a drink.” and usually get one.  If I was at a party, first thing I do is hit the bar.

This time around I didn’t have that option.  It was hard the first 2 weeks to break into it but then I was fine.  I didn’t have much to run to if I was stressed out.  I either had to hit the gym or deal with it.  I had never been to so many parties with open bars.  There was like 3 of them in 2 weeks!  That never happened before.  About 2 weeks ago I was mad at a situation and I was real close to giving in.  It would have been real easy to make an excuse for myself at that moment, but I knew I could do better.

When I told people I wasn’t drinking for 90days I got looked at in a funny way sometimes.  A good amount of people asked if I was lenting.  It seemed odd that a person would purposely not drink just because, I guess.  There was a good amount of people who commended me, and plenty who said,  “Wow, I sure couldn’t do that.”

I read a book a few years ago called  The Way of the Superior Man : A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire by David Deida.  I recommend it, even for women.  In one particular chapter he says that men often look for refuge in things that bring them comfort and don’t know how to deal with discomfort very well.  The things men usually seek refuge in are: drugs, alcohol, and women.  As he basically puts it, what does it say about you if you’re always running toward a crutch?

But being that this is a blog mainly about art stuff, I better bring it into a perspective here.

A week ago I was at a bar with friends, and I struck up a conversation with a guy named James Peterson.  Turns out he and his wife are artists.    We were talking about applying for grants for money to get artwork done ,  and he said something that really struck me:

It’s real interesting how you’re doing that 90 day thing.  A lot of artists, when they see all the work they have to do, the requirements for filling out the grants, the paperwork and stuff, they don’t even start it.  They see how much work it is and don’t even try.  But you have to really go ahead and do it.  The 90 day thing you’re doing, you made a promise to yourself and you’re keeping that promise.  That’s really important.

Just about every art takes a lot of work and discipline. Practice and work needs to be put in, not only to be good, but to make your business moves.

Another quote I’ll never forget is a girl in college who was an exchange student from Vietnam.  I asked her how she liked the U.S. so far.  She said “I like it because there’s a lot of freedom.”  Then she paused and said, “But you know, sometimes I think American’s almost have too much freedom.  Like,  so much they don’t know what to do with it, you know?”

I completely understood.

Discipline is humbling.  It makes you realize some of your limitations.  It’s easy to say “I’m free to do what I want.”  But it’s also a testament of will to tell yourself “No, I’m not going to.” and follow through, or say “Yes, I will do this.”

Artists:  Get to work!

P.S. Is Guru out the hospital yet?!

30

03 2010

What’s the Point? Part 2

By now you’ve all seen or heard about Erykah Badu’s video for Window Seat.  If not, please have at it.

In What’s The Point, I talked about Estelle’s & Lady Gaga/Beyonce’s latest videos.  Now, it’s a free country, but after a while you begin to ask “What’s the point?”;  meaning, is there ever a purpose behind what the artists are doing and the decisions they’re making?

Well here comes Erykah with Window Seat.

At the beginning of the video she says “Inspired by Matt and Kim” which is referring to this video.

She’s clearly paying homage.  It’s not a completely original concept, but everything else is different than the source of inspiration. The above vid was done a year ago and I never heard about it til Erykah’s.  The point of Matt & Kim’s video?  From Matt: “I’ve been really stressed out for the last three years. [laughs] So I was like, “How are we gonna portray this I-don’t-give-a-fuck-anymore attitude?” I thought it would be totally liberating.”

Let’s look at all the things Erykah chose to do:  The route of the Kennedy assassination.  Taking off clothes in public.  The “character” having “evolving” on her back.  The character being assassinated.  “Groupthink” spilling out of the head.  Her monologue.

As Erykah says, the concept was to discuss the idea of “Groupthink“, an idea that states how the masses will follow an idea without critically analyzing their own individual decisions.  After I read her explanation, I got the point.  Many feel that a piece of art should explain itself without having to be explained.  I don’t think that’s being fair, and asking for an easy way out.

Then I thought, what does “groupthink” have to do with the song?

“Can I get a window seat?  Don’t want nobody next to me.”

Anytime I ask for a window seat, it’s because I want the option to not talk to people and to be to myself.  In this instance, she could be saying she doesn’t want to be infected by other people’s thoughts.

Why the taking off of clothes?  What’s the most common form of groupthink we engage in?  Clothes.  We all put on our clothes because it’s not “appropriate” to be naked in public.  We can be naked in our own homes, sometimes around family, but never around strangers.  Many people were concerned with kids being around.  Don’t we usually find it cute when kids are naked, even in public?  So would a kid really care?  Not until he or she is told “You can’t do that.”

I’m not making a case for all nudists here, I’m just saying, the entire message seems consistent.  I don’t have to stray far to put parts together.

But what I find most interesting is the discussion of nudity and the female body.

Let’s get this out the way: Erykah Badu got ass.  It was definitely talked about, especially amongst men.  I even told a few of my homies “Yo, you gotta see the Erykah video.  She got ASS.”

I had a friend tell me a few weeks ago he was going to stop watching (at least as much) pornography as before because  he started to realize how it was keeping him from looking at women as equally human.  He would look at women sexually and think of what he would do to them like in the films.  Media and representation create a type of “groupthink” of it’s own.

Erykah is not being sexual in the video.  The nudity is censored.  But men (and plenty of women) looked at her in a sexual way because she was getting nude.  We equate nudity with sex.  An act that should be done in private. How mature is that really?

I’m all for having some things in private places of course, but is this really an act of desperation to sell more albums?  Have we really gotten that cynical?

If a man were to walk naked down the street in the same video, would we be saying the same thing?  I doubt it.  I’m willing to bet that if a man were to disrobe in public, people would ask for his motives.  If a woman does it, people say, “She’s desperate.”

Let’s not start about it being a black woman, with a black woman shape.  We don’t have time to get that deep.

Most of the comments I’ve seen do seem to be positive. A lot of women commend how she looks after having three kids, her bravery,  and many women began to evaluate their own bodies.  But there’s lots who are still throwing in ideas of negativity, even after her explanations.  It’s the assassination off film into real life.

I’ve seen plenty snark, like:  “Yeah.  Real creative.”

Or , “Ok, so what’s the SOLUTION to groupthink?  You pose the question but don’t give an answer.”

…So her getting us to discuss it isn’t enough huh?

It seems like a lot of people are talking more about everything except the point.

P.S.  The album is DOPE by the way. Please get it.

29

03 2010

Interview- Serge Van Lian

This is another interview coming deep out the archives.  I had to catch Serge while he was out here last September for his birthday.  You may also recognize him as a contestant of Season 2 of Top Design on Bravo!

Me and Serge go back to 7th grade.  We formed a Hip Hop group called Ill Nature around 8th grade.  We did a bunch of demo tapes and grew with each year.  He was the first to suggest that we do an entire album independently.  He did every beat on the CD and by senior year of high school we completed it and shared the stage with Black Moon, The Roots, Raekwon, The Alkaholiks, Aceyalone and more.  Once the other group members went on to college, Serge and I formed a duo called The Illuminatives.  During college we finished that, went to various shows, and pushed forward.  Post college we were in the middle of a project with a third homie as 5 Days Left, but around that time Serge felt it was time to change and try something else for his artistic soul.  As he says, music has never left him, but he was going to another page in his story.

In this interview we talk about how he really fell in love with music, and a few things that I had never known before even when we worked for years on tracks.

Part 1

How he got into music

His influences

How he found his sound & style

Being sincere

How we started our group

Bringing the best out of an artist

Part 2

How he moved into interior design

His approach to design

How to find him

Words of advice

So if you need to step the design of your office or home up, you can hit Serge at:

serge@sergevanlian.com

And peep the work here and here

And here’s some tasty treats from my archives!

Ill Nature…We were all about 14-15 here (I’m the 2nd verse)

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Illuminatives= Me & Serge.  (Note: The bass-line is my voice singing the notes, he sampled me, and replayed it at a lower frequency)

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5 Days Left= Me, Serge, & Larry (aka Serious Black). Unfortunately I don’t have the studio version for this track but this is one of my favs that we last recorded.  feat. a young Oren Yoel on the keys

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25

03 2010

The Hustler Mentality

For a long time now, I’ve heard people talk about how music is just like the drug game.  It seems like now a lot of things are compared to being a hustler.

It’s one thing to hustle in the sense of working hard, and it’s another to hustle in the sense of being a “street entrepreneur”.  Working hard is admirable, selling drugs isn’t.

While I do understand the analogy, there comes  a point where the analogy doesn’t sit well with me, especially when it comes to art.

A few weeks ago I was invited to an event in Hollywood.  There was red carpet, photographers, the whole nine.  Some celebs were there.  No particular A-listers, but some folks you would recognize.  Athletes and such.

While I was standing outside I struck up a conversation with the guy responsible for the event,  a young brutha starting a fashion line.  I asked to hear his story, how he started the fashion line.  As it was, he was a young man who grew up in the hood, got caught up with the wrong crowd slangin dope, eventually got into college for sports.  Once that was done, he wanted to move on to something else.   He went to a bunch of fashion events.  What he said next really struck me…

“…I realized the fashion game is just like the dope game…if you sell those t-shirts, you can come up… It’s just like slangin if you have that good product…”

Somehow I refrained from shaking my head in a bit of disappointment.

Don’t get me wrong, I completely commend the man for straightening his path and moving to something much more positive.  That’s not the issue.  The issue is when what gets created gets looked at as another “hustle”.

I’ve seen a lot of people, young black men especially, refer to music as a “hustle”.  Photography is a “hustle”.  Fashion is a “hustle”.  There’s a cheapening of things to me with that term.  I’ve never met a drug dealer or even heard of one that saw “hustling” as something they enjoyed or as something that can make a positive impact on people.  Selling drugs and criminal activities, yes, are very much like the industry; but, there are lots of things about the various industries that are comparable to other things, criminal and not.  Why can’t it be compared to something more positive?  Wouldn’t you rather what you do be a positive thing?

After I left the event I really wanted to ask him, “So is this all a hustle?  If so, what do you really love?”

I think we need to move away from the hustler mentality.  I’ve never heard a drug dealer say they like selling drugs.  If I look at music as just a hustle, like selling drugs, then I’ve already  separated part of myself from the product.  I’m the type of person that would like what I do, what I create, what I put out in the world to be an extension of myself and what I value.  If it’s just a hustle, then it doesn’t mean anything but a dollar.  There’s more to life than that…right?

Maybe I’m taking it a bit too seriously; but, I think we should take the things we do seriously and not for granted.

I do hope for that man’s success, and that the “hustle” is his gift.

Just my thoughts.

23

03 2010

Interview- Deborah Jane

This interview is coming DEEP out the chronicles and archives from long ago, before I had Camera-girl Eve as my sidekick…

During the summer of last year I was contacted by Miss Deborah Burke aka Deborah Jane by phone through the homie Kampaign.  She was looking for creative musicians & actors to help her with her Hip Hop Theatre project.  We had a good heart to heart about her idea and we connected on both being Geminis (we rock!).

I didn’t have the time to dedicate to her whole project but she was clearly determined to shoot her pilot.  She came up with the idea, wrote the script, secured the talent, location, and film crew, ALL BY HERSELF.  There was no stopping her.  I had to chronicle this woman because it was clear that she was going to make this happen.  At this point the pilot and trailer have been edited and she is shopping the idea around, so any takers, you better get on it!

Part 1

Her background

How she fell in love with theatre and Hip Hop

Rapping in South Korea

Her inspirations

How she created Deborah Jane’s Hip Hop Theater show

Part 2

Obstacles & lessons learned through filming the pilot

How to contact her

Words of wisdom

Hit her up with comments, suggestions, feedback, or just a hello @- deborah.j.burke@gmail.com

If you’re an interested artist, submit videos and pics @- deborahjanehht@gmail.com

The cast & crew of Hip Hop Theatre HERE

And peep the trailer!

18

03 2010